We continue the ill-fated and resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This week,… Read More »BFI 100: 92 – In Which We Serve (1942)
Here, we further the ill-fated and resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This… Read More »BFI 100: 93 – Caravaggio (1986)
Here, after a bit of a break, we further the ill-fated and resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The… Read More »BFI 100: 94 – The Belles of St. Trinians (1954)
Dedicate yourself for long enough to making any form of art, be it the written word, music, or photography, and through commitment, enthusiasm, and experience, the work will undoubtedly improve. With any luck, there will be fewer oversights and blunders.… Read More »Learning Lessons From My Mistakes
Speak to anyone about street photography outside that particular niche, and inevitably someone will ask, is it legal? It may come right out of the gate, or it may follow a logical line from whether permission is needed, through to… Read More »Is Street Photography Legal?
As the time of year for Poland’s finest music festivals is upon us, it’s as good a time as any to reflect on what a miserable experience an outdoor festival can be. Knee deep in a violent blend of mud,… Read More »Middle-aged Memories of Music Festivals
Street photography can be a fickle pursuit. Some days on the street are so natural as to suggest the photographer was literally born to do nothing but make photographs. On other days it can bury a feeling of inadequacy so… Read More »The Street Photography Bleep test
Spring is in full swing, and the world is emerging from beneath its weighted blanket. Street photography doesn’t stop in winter, but it is certainly more challenging when people are cosy by candlelight in the early evening gloom than out… Read More »Sunny 16 and Street Photography
My first experience of Spiderland was in late winter, early in 1998; a natural consequence of my blooming love for Glasgow’s Mogwai and Falkirk’s Arab Strap. I found the music to be astonishing, and this seminal album by Louisville band… Read More »To be retained #2 – Slint, All Tomorrow’s Parties. 2005.
It starts early, at school. Back in the dark days of the mid-eighties, when teachers were less – let’s say – enlightened than they are today. Those were the days of jumpers for goalposts, chalk on blackboards, and right to… Read More »To Be a Southpaw