I don’t remember when I met Heidi Kuisma, but I do remember that I had found a kindred spirit. A Finn, at that time living in Glasgow, Heidi was (and still is) a talented, creative photographer who moved in similar… Read More »We Sink Ships
Continuing my almost forgotten journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time, A Clockwork Orange.… Read More »BFI 100: 81 – A Clockwork Orange (1971)
This last week, the Scottish BPOC Writers Network hosted a talk on Performance and Resistance by Sumud Edinburgh, an organisation supporting a free Palestine. Sofia Nakou, a lecturer in Performance at the University of the West of Scotland and Dani… Read More »Performance and Resistance
The first time I remember hearing the old joke, I was on the second floor of a block of flats in the Cairnhill area of Airdrie. A young boy sitting warming in front of a 3-bar fire. With the smell… Read More »On Practice
My fascination with the exceptional work of the masters of street photography tends to come not from the photographer’s technical prowess, compositional expertise, or excellence of the prints, but from their preternatural ability to find themselves in the right place,… Read More »The Importance of Anticipation
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time, Distant Voices, Still Lives.… Read More »BFI 100: 82 – Distant Voices, Still Lives (1988)
As a street photographer teaching high school photography, my students are often fascinated by the candid photographs of people going about their lives. Whether looking through pictures of Cartier-Bresson, Garry Winogrand, Jill Freedman, or – less exciting, I’m sure –… Read More »Techniques for Candid Street Photography
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time, the swinging sixties in… Read More »BFI 100: 83 – Darling (1965)
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. Michael Caine and Julie Walters star… Read More »BFI 100: 84 – Educating Rita (1983)
My recent compulsion to spend what little disposable income I have on photo books does not seem to be relenting. With several new additions to the library this month, I’ve been thinking more about the books I recommend to friends,… Read More »More Recommended Reading for Street Photographers