Nestling underneath my spasmodic impostor syndrome, I am told I have the particular affliction of being far too hard on myself. The practical upshot of this, of course, is that photographs good enough to make my edit, don’t. I see… Read More »Reviewing Past Work
In my move from Glasgow to Warsaw, very few of my photo books survived. I sold off many at Caledonia Books on Great Western Road, in Glasgow, a combination of them being too heavy to ship, and an attractive source… Read More »Required Reading for Street Photographers
Continuing the now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time, the 1943… Read More »BFI 100: 89 – Fires Were Started (1943)
Continuing the ill-fated and now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time,… Read More »BFI 100: 90 – Hope and Glory (1987)
We continue the ill-fated and now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This… Read More »BFI 100: 91 – My Name Is Joe (1998)
As the 2 rolls of film just developed, hang on a clothes hanger, dripping over the bath, I take quick, rushed pictures of 3 frames at a time on my phone. Once finished, I close the door, turn off the… Read More »Finding The Keeper
We continue the ill-fated and resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This week,… Read More »BFI 100: 92 – In Which We Serve (1942)
Here, we further the ill-fated and resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This… Read More »BFI 100: 93 – Caravaggio (1986)
In last month’s mid-month newsletter, I added a video of Randy Bachman geeking out over the introductory chord to the Beatles’ A Hard Days Night. Then, just yesterday, a belated birthday present appeared and I leafed my way through Paul… Read More »Top 5 The Beatles Guitar Moments
Here, after a bit of a break, we further the ill-fated and resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The… Read More »BFI 100: 94 – The Belles of St. Trinians (1954)