Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. Michael Caine and Julie Walters star… Read More »BFI 100: 84 – Educating Rita (1983)
My recent compulsion to spend what little disposable income I have on photo books does not seem to be relenting. With several new additions to the library this month, I’ve been thinking more about the books I recommend to friends,… Read More »More Recommended Reading for Street Photographers
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. Today, some colliery music in the… Read More »BFI 100: 85 – Brassed Off (1996)
As Scotland hosts England at Hampden Park tonight to celebrate the 150-year anniversary of the first International football match, I’ve unearthed an article I wrote for a short-lived periodical during the 2012 European Championships in Poland and Ukraine. Rewritten for… Read More »Anyone But England (Redux)
In On Reading, a concise collection of photographs by André Kertész, there is a picture made in The Bowery, New York City on December 8th, 1960. Two men stand a few feet apart, each reading a newspaper. This picture, however,… Read More »The Art of Photographing Faces
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. Today, vintage cars in the… Read More »BFI 100: 86 – Genevieve (1953)
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time, Ken Russell’s 1969… Read More »BFI 100: 87 – Women in Love (1969)
Cons. Chucks. Hi-tops. Gutties. Whatever you call them, Converse Chuck Taylors have long been my favoured flavour of footwear, beating Adidas Samba to the finish by the width of only a shoelace. While great footwear for hanging around a record… Read More »On Wearing Good Shoes
I first head Bob Dylan’s My Back Pages on the Byrds’ 1967 masterpiece Younger Than Yesterday. Roger McGuinn’s 12-string Rickenbacker chiming across the recording. While the version cut by the Byrds in the winter of 1966 will always be my… Read More »Top 5 Tour Films
Continuing the now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. We’ve reached number 88… Read More »BFI 100: 88 – A Hard Day’s Night (1964)