In On Reading, a concise collection of photographs by André Kertész, there is a picture made in The Bowery, New York City, on December 8th, 1960. Two men stand a few feet apart, each reading a newspaper. This picture, however,… Read More »The Art of Photographing Faces
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. Today, vintage cars in the… Read More »BFI 100: 86 – Genevieve (1953)
Continuing my resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time, Ken Russell’s 1969… Read More »BFI 100: 87 – Women in Love (1969)
Cons. Chucks. Hi-tops. Gutties. Whatever you call them, Converse Chuck Taylors have long been my favoured flavour of footwear, beating Adidas Samba to the finish by the width of only a shoelace. While great footwear for hanging around a record… Read More »On Wearing Good Shoes
Continuing the now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. We’ve reached number 88… Read More »BFI 100: 88 – A Hard Day’s Night (1964)
Nestling underneath my spasmodic impostor syndrome, I am told I have the particular affliction of being far too hard on myself. The practical upshot of this, of course, is that photographs good enough to make my edit don’t. I see… Read More »Reviewing Past Work
In my move from Glasgow to Warsaw, very few of my photo books survived. I sold off many at Caledonia Books on Great Western Road, in Glasgow, a combination of them being too heavy to ship, and an attractive source… Read More »Required Reading for Street Photographers
Continuing the now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time, the 1943… Read More »BFI 100: 89 – Fires Were Started (1943)
Continuing the ill-fated and now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This time,… Read More »BFI 100: 90 – Hope and Glory (1987)
We continue the ill-fated and now resurrected journey of watching each of the British Film Institute’s 100 best films of the 20th Century. Starting at 100 and working my way to Orson Welles’ The Third Man at number 1. This… Read More »BFI 100: 91 – My Name Is Joe (1998)